Welcome to THIS IS AMERICA in VOA Special English. I'm Steve Ember.
I'm Barbara Klein. This week on our program, we take a break from the
news of the real world for a look at the world of comic books.
use drawings and words to tell stories that can be funny or serious, or
a little of both. Comic books grew out of comic strips in newspapers.
of the most successful early comic characters in America was Mickey
Dugan, better known as "the Yellow Kid." He wore a yellow coat that was
too big for him.
He was a character in a comic strip in New
York called "Hogan’s Alley" by Richard Felton Outcault. It provided
social commentary on the problems of cities.
The Yellow Kid
first appeared in eighteen ninety-five. The character became so
popular that it was also used to sell products and to create stage
shows. Over the years, many movies and TV shows have been based on
stories and characters that first appeared in comic form.
stories in comic books were extremely popular during the nineteen
thirties -- the period known as the Golden Age of Comics.
characters created during that time include the science fiction hero
Flash Gordon and the detective Dick Tracy. Others from the golden age
are the medieval adventurer Prince Valiant and the mysterious, masked
The nineteen thirties also gave us a superhero who came to Earth from the planet Krypton.
Superman is the secret identity of Clark Kent, a newspaper reporter for the Daily Planet in the big city of Metropolis.
became a hero of comic fans as he used his strength, X-ray eyes and
ability to fly to fight for "truth, justice and the American way." Not
bad for someone who jumped from the imaginations of two teenage boys in
Jerry Siegel and Joe Shuster were seventeen
when they created Superman in nineteen thirty-three. They sold the
rights to the character to the DC Comics company for one hundred thirty
That might have seemed like a lot to them at the
time. But it was nothing compared to all the money made since then from
Superman comics, radio and TV shows, movies and toys.
in nineteen seventy-five, they threatened a legal fight to get more of
a reward for their creation. DC Comics agreed to pay each of them
twenty thousand dollars a year for life. And it agreed to identify
Jerry Siegel and Joe Shuster as the creators of Superman in all future
printed materials and films.
nineteen thirty-nine, six years after Superman, another hero arrived.
Batman was the creation of artist Bob Kane and writer Bill Finger.
days, Batman is presented as a complex character with a dark side. But
a lot of people remember him as a simple hero. He dresses in a bat suit
to hide his identity as he fights evil-doers like the Joker and the
Riddler in Gotham City.
Batman does not have superpowers. But he
does have lots of money to support himself. Batman is the secret
identity of Bruce Wayne. He saw his wealthy parents killed during a
robbery. That experience led him to a life of fighting crime.
Spider-Man first appeared in nineteen sixty-two. Spider-Man is the secret identity of Peter Parker.
the original story told it, he was an average teenager in high school
until he got bitten by a radioactive spider in a laboratory. He
developed great strength and the ability to shoot webs from his wrists.
He can climb and swing between tall buildings and catch criminals with
his sticky webs.
Peter Parker is a young photographer for the
Daily Bugle newspaper in New York. If this were real life, he would
surely have wanted to be at the White House last Monday. President Bush
presented one of this year's National Medal of Arts to Stan Lee, the
former head of Marvel Comics. He helped give us Spider-Man, the
Incredible Hulk, the X-Men and others.
This was his introduction at the ceremony:
"The 2008 National Medal of Arts to Stan Lee, for his groundbreaking
work as one of America's most prolific storytellers, recreating the
American comic book. His complex plots and humane superheroes celebrate
courage, honesty and the importance of helping the less fortunate,
reflecting America's inherent goodness."
Americans growing up in the nineteen fifties watched Superman on television.
the special effects needed to realistically show him flying through the
air were not developed until the seventies. The first movie in the
"Superman" series was released in nineteen seventy-eight. It was a huge
success, with two hundred eighty-nine million dollars in ticket sales
at theaters worldwide. And it led to other movies based on comic book
"The Dark Knight," the latest of six Batman
films, came out this year. The Internet Movie Database lists it as the
fourth biggest film of all time, with almost one billion dollars in
worldwide ticket sales.
Fans of Spider-Man, however, could
point out that their hero beat all the other Batman films at the box
office. Together his three movies took in more than two billion
dollars. Yeah, Spidey rules.
comic specialty shops in North America ordered an estimated four
hundred thirty million dollars in English-language comics. The Web site
comichron.com, a resource for comics research, says that was a nine
percent increase from the year before.
So who are the buyers?
We went to NOVA Comics and Games in Springfield, Virginia, and got an
answer from sales clerk Dave Weinberger.
DAVE WEINBERGER: "It’s
not kids anymore. Comics are too expensive for kids. And they’ve
changed -- comics for example like the one I’m showing you, back in the
late sixties was fifteen cents. Right now comics go for about three,
four bucks each. And they’re not printed on paper anymore, they’re kind
of like magazine stock which drives up the cost. So, average age is
probably mid-twenties on. You just don’t see kids walking in with their
allowance buying comics anymore. They’re too expensive."
Mark Smith was in the store buying old back issues from the nineteen
sixties and seventies to complete his collection. He told us he has
been collecting comic books for about thirty-three years, since he was
seven years old. We asked him what comics he was interested in.
SMITH: "Fantastic Four, X-Men, Avengers and some books from the
eighties, Alpha Flight. You can see on the wall right there -- that
Wolverine comic, I bought it when it came out for sixty cents. They’re
selling it for thirty dollars right now. I bought it because I enjoyed
it. I didn’t buy it for an investment."
books have also led to graphic novels. These look like comic books but
tell stories like a novel. Some graphic novels explore social issues
and historic events.
"Maus" by Art Spiegelman is about the
Holocaust, when Nazi Germany killed two-thirds of the Jewish people in
Europe during World War Two. About six million died, along with
millions of other victims.
In "Maus" the Nazis are shown as
cats and the Jews as mice. The two-book series took Art Spiegelman
thirteen years to complete. The story is based on the experiences of
his father in Poland in the nineteen thirties and forties.
"Maus" won a special Pulitzer Prize in nineteen ninety-two.
Miller is also noted for his graphic novels, including "300." It tells
an imaginary story about people involved in a real battle -- the Battle
of Thermopylae in ancient Greece. A movie version of "300" was released
Another Frank Miller graphic novel and movie, "Sin
City," tells four connected stories of crime, corruption and sex. Here
is a scene in which a killer meets his victim on a balcony during a
all graphic novels are about subjects like war or violence. "American
Splendor," for example, is a series about the everyday life of a real
person named Harvey Pekar. There was a movie version in two thousand
three, and stage plays have also been based on the stories. The most
recent American Splendor came out in September.
books today are often written for adults. But many people can remember
when comics were mainly for children. Some still are. And some are even
written by children. Almost one thousand schools in the United States
are involved in the Comic Book Project.
Michael Blitz started the project in two thousand one at Columbia
University in New York. He wanted to create an activity for children
that would combine skills like reading, writing and drawing.
Comic Book Project lets children express themselves as they write and
draw their own stories. The best ones are chosen and then published and
sent to schools across the country.
Our program was written by Nancy Steinbach and produced by Caty Weaver. I'm Steve Ember.
And I'm Barbara Klein. Join us again next week for THIS IS AMERICA in VOA Special English.